2. Fueling The ‘Oil’ In Turmoil
Peter facepalms harder than ever after J. Jonah Jameson shouts via text that some vile terrorist has attacked the city. With a pounding heart and a sweaty forehead, he wonders just how bad it is. Just how many people are dead, or hurt, or scarred for life. And ‘the Green Giant’? ‘The Green Goblin’? What kind of names for a mass-murdering lowlife piece of trash are those? He does find it a little interesting that the suspected culprit is an ‘eco’-terrorist - that’s not the city’s usual flavor of terrorism.
But never mind green, the only color Peter can see is red. A much different, darker shade of red than that of his spidersuit. He hammers the driver’s side door. Twice. Thrice. Enough to leave a dent.
People are dying, when he could have done something to stop it. His spidey-senses had been trying to warn him all along. And he acted like it was a nuisance. He could have saved lives. He could have spared someone from losing their Uncle Ben. And probably get chastised as a ‘reckless vigilante’ by the police, the press, the public and even the Mayor for it like always, though maybe this time it would have been truly worth it.
But he has no time like the present. Despite the darkening bags under his bloodshot eyes after a long day of getting pictures for the Daily Bugle, he decides Brooklyn absolutely must be his last stop today. Peter urgently inches his car almost onto the bumper of the car in front of him, but the endless stretch of traffic has barely budged in the last few minutes, even with a green light. He frantically scans the streets for available side parking, but finds nothing. If he had his dumb spidersuit, he could abandon his car and just swing across the city. But he can hardly remember where it is. He’s trapped like a pet spider in a terrarium. Like the bastard that bit him, and gave him these stupid powers.
As the gravity of the situation sinks deeper, he pummels the driver’s side door again and again. He hammers the steering wheel, as he screams superhumanly loud, louder than any of the victims in Brooklyn, loud enough that his spidey-senses detect people around him turning their heads. The docile orb weaver is imploding into a venomous black widow.
Deep down in the festering rotting pit within, he suppresses every nagging reminder that he shirked his ‘great powers and great responsibilities’ as if they were bad memories - like, say, those of people getting shot, stabbed, strangled or beaten by crooks, the mentally ill or the police. He had never wanted this level of power or this level of responsibility. No sane person ever would. If he had known the disasters that would make his life a living hell, murder Uncle Ben and wreck the city, he wouldn’t have come within a hundred miles of the scumbag spider that bit him.
After an hour of aggressively crawling through traffic and keeping his ears glued to the radio, all while narrowly avoiding becoming a road rage statistic, Peter finally manages to pull within a block of what he heard was once a car dealership, at least before it was blasted into a charred crater. Even with the Sun beginning to set, he can’t believe what he sees.
A mile of police tape stretches from crumbling war-torn buildings to an enormous hole in the once-peaceful suburbs of Brooklyn, while all the flashing emergency lights in the city highlight what looks like an apocalyptic mix of Gettysburg, Omaha Beach and Korangal Valley smoldering atop the Chicxulub crater. Piles of crumpled, shredded, blackened cars are strewn about. Some thousands of pieces of paper, most burnt or torn or both, are scattered about or blowing away in the wind. Paramedics pour their hearts and souls into treating devastating injuries as ambulances rush people away or come right back to pick up others. A field of black body bags lines the crumbling burnt ground, although there’s clearly not enough available. Around the police tape, crowds of people cling to each other as they sob, scream or gaze in horror. News vans from every station in the city clog the area, as talking heads ramble into microphones and cameras. A black-armored bomb squad seems to be giving the all-clear after triple checking every crack, crevice, nook and cranny with dogs or robots - of course, they wouldn’t have let anyone get close if they had found something. And there are enough cops around to make it its own precinct, who are either aiding in the rescue, securing the perimeter, interviewing people along the tape or canvassing the neighborhood. Peter feels like he’s going to puke, wondering what could possibly drive someone to cause this level of pain and suffering.
With his camera strapped around his neck complete with an extended telephoto lens, he tries to push on with the job he came here to do. Peter approaches the police tape with a decent shot coming to mind, thinking of juxtaposing three cops standing on the other side of the tape with the horrific nightmare they literally and figuratively face. He tries to think of Aunt May and the paycheck that’ll go to support her as he struggles to stomach the insanity, the immorality, of having to be journalistically artsy about the worst atrocity to hit New York since 9/11. It makes him feel a little better to think he’s not entirely alone in all of this, and not just because of Aunt May or some of the other staff from the Daily Bugle around here somewhere. His girlfriend, Gwen Stacy, is a staff writer for the Daily Bugle, and she too is in the area, although his spidey-senses can’t seem to find that one important needle in this overcrowded haystack. They had texted a little bit while Peter was sitting in traffic, and while she confirmed she would be coming to the scene, she stopped responding before she could specify where or for how long - a typical exchange when dating a reporter, it’s always been apparent. Peter wonders if she got the same kind of whiplash as he did when arriving at a horrendous crime scene like this. But recognizing that his attention span is in free fall, he tries to keep himself focused on getting some solid shots, starting with the officers across the tape.
Before he can even raise the camera to his eye, however, the three cops notice him. And one briskly turns around with brows more furrowed than Peter’s ever seen.
“Hey back the fuck up, asshole!” the officer bellows with an accent that should automatically make him a Yankee or a Met, his pudgy finger pointing in the opposite direction, as the other two cops look at him, then at Peter, then back at the officer all without turning around.
Peter raises his badge from the Daily Bugle slung around his neck. “I’m with the press,” he asserts.
“I don’t care if youse the King of France!” the officer yells, finger still pointed. “Back the fuck up before I toss your ass outta here!”
Peter gulps, quietly sighs and gently lets his camera dangle, as another officer quietly tells the first one, “Aw va fangool, he ain’t hurtin’ no one, just let the little finook be.”
But Peter is already stepping back and stumbling off to the left, as all three cops eyeball him before two eventually look back at the rubble, and finally the one, dropping his chubby finger and going back to crossing his arms. He puts this out of his mind, sensing that the million cops in the area are highly suspicious of anyone in the vicinity, since the monster who committed this horrible crime is still on the loose, and criminals often like to revisit the scene of the crime. Peter starts looking through the catastrophic wreckage for another shot, another angle, another something to make this unholy sight worth something other than Spiderman’s most atrocious failure of all time.
He gazes forlornly through all the weeping crowds, streams of water pouring down on defiant flames, football fields worth of twisted torn-up crushed cars, firefighters and good samaritans practically moving actual mountains of shattered concrete to rescue people still trapped under the rubble. What could Spiderman have done to stop this? What could anyone have done? And what can Spiderman do to stop something like this from happening again? The terrorist surely won’t stop at this, says a knot in his stomach. Peter is certain that there are two things he absolutely does not want: the city to be attacked again, and for him to have to go back to being Spiderman.
His vision blurs as he once again starts to lose focus of the armageddon in front of him. In his mind’s eight eyes, haunting images of future terrorist attacks mesh with harrowing memories of fighting crime as Spiderman. More people get blown to bits, just like they got blown away by thugs, the unwell or the police. Blood on his spidergloves. Handcuffs around his wrists. His mask coming off in front of everyone - Aunt May, Uncle Ben’s ghost, Gwen, his other best friends Mary Jane Watson and Harry Osborn, J. Jonah Jameson and the Daily Bugle, the cops, Mayor Adams, all the criminals he got locked up, the public. In the background, a terrorist fleck of pond scum watches and laughs maniacally, as they rig their next bomb.
Peter snaps back to reality as his spidey-senses pick up three of the other photojournalists from the Daily Bugle approaching him, cockily bouncing around with their cheap clunky cameras like they think they’re the next Ansel Adams, emanating practically no respect for the graveness and seriousness of their ungodly surroundings.
“Hey hey Parker, on time as always,” jeers Terry Kidder, a formerly unpaid intern who got brought on as a freelancer - just like Peter - and now thinks he’s destined for the Met. “Check out this sweet snap I got bro. Some real front page above the fold shit. Jameson’s gonna give me one of his cigars.”
Terry holds up the back of his camera to him, blaring the screen. Peter expects it to be some half-assed high school clip that doesn’t even deserve to get lost in a darkroom, but he actually finds himself impressed and even a little jealous with what he sees. He beholds a gloriously Renaissance-esque, perfectly-framed picture of the smoldering crater as paramedics rush an injured survivor to an ambulance on the left, blurry cops sprint in from the bottom and a team of firefighters and good samaritans on the right lift up a chunk of concrete to expose another, screaming injured survivor underneath. In the distant background between wisps of smoke, the Statue of Liberty shines like a beacon of hope. Peter nods approvingly at Terry, but forces himself to cut it short. This picture could legitimately win a Pulitzer Prize, that absolute jackass.
“Nice, Terry,” Peter retorts. “How soon you get here? Cops take you in for questioning yet?”
“Ha, yeah, very funny bro. I hope the guy who did this gets what he deserves, I’d strangle him if I saw him,” Terry responds with a scowl, taking back his camera and clicking through what may be more unbelievable and downright lucky pictures of their hellish settings. He shows some to the other two photojournalists, smiling and laughing and even high-fiving, which makes Peter absolutely nauseous.
But Peter is more preoccupied with the unforgiving crime scene around them. He examines the cooked remnants of what used to be a quiet and safe neighborhood, unable to take his eyes off of Spiderman’s biggest and most serious fuck up since he caused Uncle Ben to get killed.
“You guys know anything more about… I don’t know, what happened here? And why?” Peter asks the other photojournalists.
Hearing no immediate response, he looks back at them, which snaps them out of their repugnant little art gallery. “Huh? Oh, nah bro, I only got that one text from Jameson,” Terry answers.
So did Peter. He huffs out of exasperation. “Well, Jameson’s only the Graphics Editor. Have any of you heard from Vic? Sam? Robbie, even? Anyone?” He doesn’t know why he’s asking them, other than desperation. There’s no way Assistant Graphics Editor Victor Pei, Assistant Managing Editor Samantha Scriven or Editor-in-Chief Robbie Robertson would be getting any word to these dunces.
“Nah,” Terry responds, as the other two photojournalists shake their heads practically in unison. But then he perks up. “Ooh! I did get, like, a news alert that the guy who did this released, I think, a video or something.”
Peter’s eyebrows leap to the top of his forehead, as he steps in closer. And tries to push past his sheer idiocy in leaving his phone in his car during a frantic hurry to race towards this unsightly ground zero, which could have given him the answers he needs right now. “Really? What did they say? Is it a manifesto? A list of demands? Tell me what they said. Tell me!” he spews out like a coked-up auctioneer.
But Terry just shrugs. “I dunno bro, I’ve been too busy getting these dope-ass shots.”
“Well can you get your phone out and check? Now? Right now?”
Terry shakes his head, with one eyebrow slightly raised, as if in suspicion. “Nah bro, my battery died, sorry,” he disappoints Peter, as he points his thumb at the other photojournalists. “And don’t ask these two either, they left theirs in my car when we drove in. Like always.”
Peter’s eyebrows plummet as he darts his attention away, the black widow in him crawling back up again, as his last hopes for quickly finding the terrorist’s video rapidly dissipate. He slaps his palm on his forehead, and gazes around as the dizzying emergency lights start to blind him. When he was trapped in rush hour traffic, obsessively listening to every radio station in the tri-state area and wishing he knew where his spidersuit is, he never heard any news about a tape being released, let alone other crucial details that would help Spiderman investigate. The last thing he wants to do right now is ask the police, or one of the eight thousand news vans in the area. If he just had his stupid spidersuit on him, he might be able to quietly prowl the area for evidence, at least late at night, under the cover of darkness. Assuming he even wants to do something like that, which he isn’t sure that he is. Without it though, he’s just Peter, one of a thousand members of the press mucking about.
He groans. “Did I hear right that this place is a dealership?” he keeps pushing, gesturing broadly. “Or at least, was? Before, you know…”
In Peter’s peripheral, Terry nods slightly. “Yeah, that’s what I’ve been hearing from the fuzz and some of the reporters around here. I mean, based on the amount of cars lying around, that’s kinda what it seems like anyway.”
That does make sense to Peter. Of course an eco-terrorist would attack a place that buys and sells one of the most polluting, carbon-emitting items on the market. And in Brooklyn too, the most populous borough in America’s most populous city. Peter suddenly finds himself deeply conflicted by what he’s struggling to process. The terrorist does have a righteous cause in fighting to stop climate change (if, of course, that is their actual goal), but violence - let alone this level of violence - is unequivocally not the answer. Peter is certain that climate change can be curbed without bloodshed, without death and destruction, without terror. Eco-terrorism just defeats its own purpose - case in point, the cataclysmic crater in this corner of Brooklyn. Nothing hits him harder, though, than the thought that he could have just listened to his spidey-senses and prevented what was essentially an act of genocide.
“God…” he groans again. “Alright, well… you guys try to talk to the cops or anything? Any of the… I don’t know, all the people around here? All these… poor, sobbing people? Who probably have funerals to plan…”
“Nah man, cops almost took my camera,” Terry answers. “I ain’t messing with these guys on a day like today, no way.”
One of the other photojournalists, Phil Fields, nods in agreement. “Yeah we almost got arrested twice today dude. It was awesome.”
Peter rolls his eyes. All eight of them. Based on what Spiderman has seen, you don’t want to get on the bad side of the NYPD. “Yeah, uh-huh… seriously though, you don’t want trouble. Rarely are shots ever that good. If you do get into trouble though, it’s usually safer to just comply and lawyer up. Usually…” Peter advises, before he mutters under his breath, “Who knows, maybe some eight-legged clown will bail you out…”
Then he looks back at them. “Anyways, I guess, let me know if you ever get any more news about…” His eight eyes crawl back to the ruins, doubting his sentence before it’s even finished. “…Well, whatever happened here…”
“Will do, yo,” Terry promises, before the three go back to comparing the gruesome grandeur on each of their glorified Kodaks.
Peter keeps examining the tattered carnage, wondering how long he’ll put up with staying here. Terry probably got all the best shots to capture the story, but J. Jonah will have Peter’s ass if he doesn’t get anything. Yet his efforts to envision how he’ll frame some kind of picture of this grisly, prime example of Spiderman completely and utterly letting the city down only gets blocked by images of the city getting blown up again by that chickenshit public menace. What could possibly be on that tape the terrorist released? If it was a manifesto, what would it say? If it was a list of demands, what could they be? If it was something else entirely, then what? And what will it take to bring a waste of oxygen piece of human filth like them to justice? Peter has never wanted answers for something so badly in his entire life, while also wishing that he never had to ask such sickening questions.
And then there’s the other matter weighing on him like a fat elephant: how would people react if they see Spiderman again? Would they welcome him back? Cheer him on and breathe a sigh of relief? Gawk and stare in awe at an actual real-life superhero? No, not even in his wildest dreams, Peter expects. Spiderman doesn’t deserve any of that, for starters. People would shout things like ‘oh now you decide to show up?’ or ‘where have you been?’ or ‘why didn’t you stop the bombing?’ or ‘you got a lot of balls showing your mask around here’ or ‘you know there were 50 different crimes last night and God knows how many since you’ve been gone? So why don’t you just get lost, again?’ - all things he was already asking or telling himself. Meanwhile, kids would cower behind their parent’s legs from the “scaywee man” like always. So there would be no high-fives. No waves hello. No excitement, celebration or hoopla, nor anything remotely close. There would just be an intense version of the usual sea of insults, cynicism, impugnment, middle fingers and shared pain. Cops with guns and tasers drawn, handcuffs twirling, sirens blaring, drones flying, a Digidog pouncing. The Daily Bugle and other mainstream media running stories and op-eds about the return of the ‘masked vigilante’ or the ‘wallcrawling outlaw’ or other ridiculous descriptions which make him grind his teeth, terms of anything but endearment that’ll also spew out of Mayor Adams in press conferences, televised addresses and other speeches before all kinds of arachnophobes increasingly supportive of - or at least unresistant to - letting the king of cops put the city under mass surveillance and the chokehold of police brutality. And not one person in the world understanding that he just wants to use his ‘great powers’ for good, which he takes as his ‘great responsibility.’ Or so he once thought. Peter wants to find the spider that bit him and squish the living hell out of it.
While feeling like he has something in common with the surreal crater and massive debris field before him, he tries to remember that he has an actual job to do here first, with a camera and a badge, not a mask and a warrant. A job not to help him, but Aunt May. That at least feels like something worth doing. His spidey-senses suddenly point him to a cop bending over to pick up a burnt and bloodied $100 bill, who then examines it as he straightens back up. Immediately, Peter hauls his camera to his eye and snaps a picture with the officer inspecting the bill, as a heap of debris and frantic paramedics aid screaming survivors in the background. He figures he can sell it as some kind of allegory for the devastation wrought by the terrorist, or something.
True to his ever-hopeful rose-tinted glasses though, Peter expects the officer to place the bill into an evidence bag he holds in his other hand. But he doesn’t. Instead, the officer discreetly stuffs the bill in his back pocket. Peter quickly snaps pictures of this flagrant display of ‘protecting and serving’ at its finest, though he doesn’t have a clue what he’ll actually do with the shots. But that quickly becomes the least of his concerns. Through his lens, he sees the officer nervously look around, as if he knows what he did is wrong. Then the officer spots Peter, camera still on his eye, aimed directly at him. Peter’s flaring spidey-senses detect that the officer’s terrible day has just gotten much worse, thinking that he got caught red-handed by a suspect for the bombing or at least some idiot who’ll use these pictures against him. Normally the officer might be more lenient, according to Peter’s spidey-senses, but not on a day like today. Not at all. The officer’s brows furrow, his face reddens, and one of his hands immediately points at Peter while the other jumps to his holster.
“Hey! Lemme see that camera! Gimme that right now!” the officer hollers at Peter, as he starts stomping towards him, practically with steam billowing out of his ears like something out of a cartoon.
Peter drops his camera faster than a cinder block off the Empire State Building. He freezes, leaning much more towards human than super.
“Oh shit Pete…” he hears Terry quietly react, as the three other photojournalists watch with their pants turning brown.
Words fail Peter. Everything fails him. If he was in his spidersuit right now, he’d just swing away, maybe wrap the officer in a nice cocoon. But he’s not. He’s just some rubbernecking nobody with a camera finding himself at the wrong place and the wrong time, like he was when that douchebag spider bit him.
The officer draws his gun and points it at Peter as he stampedes toward him. “I SAID GIMME THAT RIGHT NOW!”
Then, as if things weren’t bad enough, the first officer from before joins in. He too draws his gun and starts marching hard enough to crack the ground even further. “I fucking knew it! LET’S SEE SOME HANDS, ASSHOLE!” he hollers.
Peter’s spidey-senses are on maximum ultra-overdrive. He can sense nearly everybody within fifty feet watching in horror, anticipating the second tragedy of the day. He can sense that the two officers with guns pointed at him have an aggressive ‘shoot first question later’ mentality today, and compliance probably won’t save him. So Peter decides something has to give. Even at an atrocious scene of death and destruction like this, few things matter more to him than Aunt May, Uncle Ben, Gwen, Mary Jane and Harry - maybe even the city itself, despite everything that it’s put him through. And he’s had it with cowering in the shadows. He’s had it with having guns pointed at him. He’s had it with seeing appalling crime scene after appalling crime scene. It used to be that Peter has had it with being Spiderman, but now it’s more like Spiderman has had it with being Peter. Mask be damned, the wallcrawler emerges once again.
Against his own advice to the other photojournalists, he bolts. Bolts away from the cops. Away from the scene. Away from all this chaos and suffering and madness. But he doesn’t run like a normal person. No, he runs faster than any human on Earth ever has. Faster than Usain Bolt on steroids with a turbo jetpack. Faster than any bullet ever fired. As fast as a spider escaping a wad of tissues. As if he has eight legs instead of two. The surrounding, torn-up buildings blur like the stars do when the Millennium Falcon shifts into hyperspace. Behind him, the officers drop their weapons in a stunned slack-jawed daze like that of all the other witnesses, as one cop mutters, “How the…”
Peter races to his car intending to high-tail it out of there, a lot like some of the criminals he halted in their getaway cars, much to the chagrin of the police and the victims of simultaneous crimes he couldn’t stop. Had he just now resisted arrest? And stooped to the level of those whom he used to web, essentially proving everyone right about his vigilantism? It’s already too late, this is no time to reflect, nor reconsider, nor take moral inventory. Not like he can run back and apologize or explain himself - that would only make matters worse. Might make the cops pump him full of lead, or at least give him a black eye - assuming they weren’t originally going to do one or both of those. As much as it makes his blood boil that people - that police - saw him use his powers without a mask, which was surely caught on the officers’ body cameras, Peter finds this more poignant than anything, because it all goes back to the night that that garbage, vermin, despicable, disgusting, fuckface spider bit him.
To be continued…